Selection


///freedom.conceptual.exploration
///freedom.conceptual.weekly
///identity.performance.sellout
///identity.conceptual.open
///identity.performance.prisoner




///identity.painting.spiritual
///control.performance.research
///control.performance.secrets
///identity.conceptual.nationality
///identity.conceptual.risk




///identity.painting.memory
///identity.painting.training
///identity.painting.memory
///identity.painting.research
///identity.painting.research
///identity.conceptual.beauty
///identity.conceptual.research
///identity.painting.risk
///identity.conceptual.lies
///freedom.conceptual.exhibition
///identity.conceptual.nationality
///freedom.conceptual.media
///control.performance.incentive
///control.performance.brand
///control.conceptual.technology
///freedom.conceptual.exhibition
///freedom.performance.street
///identity.performance.death
///freedom.performance.protest

rabbit (2024)

///identity.painting.memory
Do materials carry memories?




Rabbit
2024
Rabbit bone, Linseed oil on Scottish Ecru Linen
400x300mm

Rabbit bones are sourced and burned in a furnace to 670-690C.
Residue is crushed into a fine powder to make pigment.
Pigment is applied and shaped using a binder of linseed oil and beeswax.





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