hathi (2024)

///identity.painting.memory
Do materials carry memories?
Hathi
2024
Elephant Ivory (~1770), Linseed oil on Scottish Ecru Linen
400x300mm

Antique Ivory Piano Keys are sourced and burned in a furnace to 670-690C.
Residue is crushed into a fine powder to make pigment.
Pigment is applied and shaped using a binder of linseed oil and beeswax.












as above, so below

///identity.painting.training
Why do older soldiers have shinier boots?




As Above, So Below
2024
Shoe Polish, Paper
210x150mm

Shoe polish is applied until a mirror finish is achieved to 240gsm watercolour paper







Funerals

rabbit (2024)

///identity.painting.memory
Do materials carry memories?




Rabbit

2024
Rabbit bone, Linseed oil on Scottish Ecru Linen
400x300mm

Rabbit bones are sourced and burned in a furnace to 670-690C.
Residue is crushed into a fine powder to make pigment.
Pigment is applied and shaped using a binder of linseed oil and beeswax.







Purple Series (2024)

///identity.painting.research
Why do we perceive purple as high value?



Furl
2024
Oil on linen
700x500mm


Exploration and research into sourcing and application of all known violet and purple pigments available today.




Solo Adventurers (2023)

///identity.painting.risk
Why do we seek adventure?




Joshua
Oil on Board
600 x 600m
Suhaili
Oil on Board
900 x 900m
Voyage
Oil on Board
600 x 600m

In 1968 The Sunday Times created the Inaugural Golden Globe Yacht Race through a surprise press release.
It is the world's first solo, non-stop, round-the-world yacht race.
Two victors will be celebrated:  First to return to port after departure from day of release, and fastest port to port voyage.
Nine sailors accept the challenge and depart from various UK ports.
Only one sailor completes the challenge.
Donald Crowhurst, aboard Teignmouth Electron, fabricates his voyage progress and commits suicide enroute.
Sir Robin Knox-Johnston, aboard Suhaili, becomes the sole finisher after 312 days at sea, he is Knighted by the queen on arrival.
Bernard Moitessier, aboard Joshua, able to return with the fastest voyage chooses to forsake the race and continue sailing,  he returns to dry land months later in South America.



Pigments created with ultramarine and cobalt drenched in sea water
Board is created from used boat yard birch plywood

Portraits (2022 - )

///identity.painting.research
What is it that we see in people that can only be described through abstraction?


Habibi, 2023
Oil on Linen
127.1 x 61.5 cm
Spiritual Healer (27 | F | London & Bali)
Keep Going, 2022
Oil on Linen
91.2 x 91.2 cm
Tech CEO (23 | F | London & Monaco)
Heliopolis
Oil on Linen
60.2x90.4cm
Doctor (31 | M | London)
Heliopolis
Oil on Linen
60.2x90.4cm
Doctor (31 | M | London)
Heliopolis
Oil on Linen
60.2x90.4cm
Doctor (31 | M | London)
Voyage, 2022
Oil on Linen
90.3 x 60.4 cm
Restraunteur (33 | F | London | Porto)
Soar, 2022
Oil on Linen
110.1 x 90.2 cm
Gallery Owner (31 | F | New York, Moscow & Miami)
Be You, 2022
Oil on Linen
110.1 x 90.2 cm
Fashion Designer (33 | M | New York & Miami)
Blossom, 2023
Oil on Linen
107.1 x 107.1 cm
Hotelier (46 | M | Tel Aviv & Miami)





Ongoing Project
Oil on Linen
Various Sizes

Process


The portrait series focuses on capturing an abstract idea and validating it through a subjective lens.
A sitter shares their perspective on love through an unstructured interview exploring peak and aspirational experiences of love.
A work is created while listening to repeats of the interview.
The work is presented to the sitter
If it aligns with their experience and receives their approval, it is considered complete and valid.



I sit in Awe

There is a flame that you carry around,
You hide it from the world to keep it safe.
Helping it grow, ensuring it doesn’t go out.
I see it when you walk, I see it when you dance. 
As you move through the crowd, I see them feel it on their skin.
But they don’t see it like I do. 
When you look at me
and show me what it really is
I sit in awe.
For when you show me what you really are, 
I see what you’ve had to become,
to stop the darkness that wants to consume us all.


What is love (2022-)

///identity.conceptual.research

R: How did you get into this?
E: My friend, she gave me someone to work with, you know, like an easy one.
R: What do you mean?
E: Like, he’s low maintenance, I just text him once a day. It doesn’t even matter what I say...
R: Does he ever want more?
E: No, I think he’s just lonely. It was just one to learn on, you know my friend had so many and she just gave him to me to look after... he doesn’t want to lose it so he doesn’t do anything weird
R: Does he pay?
E: He pays my rent now
R: One text a day? Nothing in person?
E: Yeah,  he loves me


Exploration of Modern Perspectives and Judgment of Love Relationships


Humans are driven by feelings. 



They complete actions that can be simple or complex and may be taken in relation to the self, others, or the environment. 



Humans estimate the value of actions partly by observing others performing those actions.



Humans often copy the actions of others with the expectation of achieving similar benefits. 



They also repeat actions that have previously rewarded them.



Human identities form around optimizing both their environment and their routines to facilitate these actions.



All actions compete with one another to provide emotional regulation. 



Actions are weighed against each other by their expected reward—governed by the secretion of dopamine, serotonin, and oxytocin in the brain—relative to the associated costs (i.e., risk‑weighted energy expenditure).



The combination of energy expenditure and the order and intensity of neurotransmitter release before, during, and after a given action determines the likelihood and intensity of future actions. 



Humans become proficient in the action loops they perform regularly, especially in environments optimized for these loops. 



Over time, people grow dependent on a smaller set of these loops for emotional regulation.



Changes in the environment or in the reward derived from these action loops can disrupt a person’s emotional balance. 



Visual stimuli—including displays of emotion, another person’s status, desire, and perceived changes of state—can also affect human behavior and emotional regulation.
Excerpt from Interview, 2023. Research interview exploring perception and prejudices around the relevancy and value of love in the modern world










What is it?



We’re stuck with this feeling—every bit of it. 

The highs, the lows, the messy process of figuring it out, the joy of letting it take over, and the pain of its crushing blows. 

Some will say it doesn’t exist—that it’s just a chemical reaction distracting us from purpose and development. 

Others will insist it’s the very source of life, that our purpose derives from experiencing it.

So, what can we agree on? 

So far, at least, we agree it’s potent. 

Real or not, you’ll be asked to define your relationship to it: how you experience it, what it means to you, and how you use it. 

You didn’t choose the way you first learned about it—that was shaped by your upbringing. You inherited everything your environment and genetics had already figured out. 

If you’re reading this, maybe you’ve realized you can change it. 

Or maybe you don’t want to.

There are countless schools of thought for the many ways the human condition confronts its deepest fear: isolation. 

We’ve been telling each other how to handle this since sentient beings first realized their power.

We’re born with an innate desire for companionship, needing the perspective of another to help us justify the pain of existence.

Maybe we share it so we can keep dreaming together, unburdened by the knowledge that one day it all stops. 

Using each other as living totems, we wrap ourselves in the beauty of the present.

Why, then, do we crave agreement? Some need it more than others—those who dwell on future plans or past regrets become vulnerable to love’s power. 

Those who master it can subdue those who see it as life’s only reality. 

And others simply simulate love, crafting environments that resemble the real thing if you squint hard enough.

Our children and our creations will use the tools we leave them to figure out life. 

Should love be one of those tools? 

If so, what do we write in the instruction manual? 

Or is the mystery behind it precisely the point?

I know what I like, but maybe it’s better if we let everyone else decide.


Texture (2020-22)

///freedom.conceptual.exhibition
How much can you communicate with colour and texture?

Exhibition
New Bond Street
Various Sizes
Oil on Linen


Flow (2022)
Oil on Linen
1550 x 2650mm
Tide (2021)
Oil on Linen
1100 x 1750mm
Tree
Oil on Linen
1100 x 1750mm
Sideways (2021)
Oil on Linen
1200 x 1200mm
Purity (2021)
Oil on Linen
1750 x 1100mm
Daybreak (2021)
Oil on Linen
1050 x 750mm
Waves (2021)
Oil on Linen
1050 x 750mm
Jungle (2021)
Oil on Linen
1050 x 750mm
Lipstick (2021)
Oil on Linen
1050 x 750mm
Mayura (2021)
Oil on Linen
1100 x 550mm
Lemonade (2021)
Oil on Canvas
1000 x 1000mm
Push (2021)
Oil on Canvas
1000 x 600mm
Triptych 1 of 3